What I tried to represent here was traveling. At first it is really boring traveling and being cooped up in a plane for a long time .(First drawing, negative). But once you get to your destination it is fun and relaxing! (Second drawing positive). It was a bit challenging having to make a lot of people and I kind of got paranoid about it but it ended up well.
The rules that we had to use about shading and lighting and stuff like that was actually very helpful. Some of the feedback that I got was to shade the people that I didn't want the focus to be on and that really helped me!
Showing posts with label principles of design. Show all posts
Showing posts with label principles of design. Show all posts
Monday, November 15, 2010
Friday, November 12, 2010
Wednesday, October 27, 2010
Principles of Design Research
Today we looked at a painting called the "Nighthawks" by Edward Hopper. We looked at how he wanted the viewer to look at the painting and what he wanted us to think about it.
These are some of the things he wanted us to notice:
He didn't use symmetry in the painting but he used placement/grouping. He placed the people in a lighted area to show them clearly, and what he wanted them to represent. Surrounding the bar he put darkness to show it was a lonely night. This is the contrast between light and dark. The light made leading lines on the pavement out side the bar and also he made the light creeping into the buildings on the opposite side of the bar. There was implied movement in the painting to: the bar tender bending down. The painting had some proportion, more light then dark. He mostly used all of the principles of design to show what he wanted us to think of his painting.
These are some of the things he wanted us to notice:
He didn't use symmetry in the painting but he used placement/grouping. He placed the people in a lighted area to show them clearly, and what he wanted them to represent. Surrounding the bar he put darkness to show it was a lonely night. This is the contrast between light and dark. The light made leading lines on the pavement out side the bar and also he made the light creeping into the buildings on the opposite side of the bar. There was implied movement in the painting to: the bar tender bending down. The painting had some proportion, more light then dark. He mostly used all of the principles of design to show what he wanted us to think of his painting.
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