Andy Goldsworthy:
Andy Goldsworthy manipulates objects from nature to create his pieces. If his pieces were in a gallery then they would seem out of contents/place. Part of its beauty is the picture itself and definitely its setting. These pieces interest me because he didn't really manipulate the nature objects in a way that would destroy them or the setting around it. It is a peaceful way of working and could even be left there to compost and deteriorate. For some reason I really like that idea.
Shepard Fairey:
Shepard Fairly has a lot of political influence and strong opinions. He isn't afraid to show the world his art and opinions even if it involves getting in a bit of trouble. In most of my work I try to have some sort of meaning or story behind it and to me Shepard Fairey's work is the epitome of that. His work would look good in a museum but having it be outside, susceptible to weather, people, and other wear and tear, has more meaning to it. It's putting himself out there.
Showing posts with label The World of Art. Show all posts
Showing posts with label The World of Art. Show all posts
Thursday, February 6, 2014
Sunday, January 26, 2014
New Artists And The Young Artists Behind It
Link to video
What is meant by “New Art” in the film? Explain
What is meant by “New Art” in the film? Explain
- The definition has changed
- In the past art was more about if you could get recognized now it is more of a business
- Removed his name
- Opened up a wider audience
- Not so individualistic
- Communication with the world
- Has to bring the thoughts out
- Genuin art
- In the perfect world everyone is an artist
- But we don't need art
- It enriches our lives
- Experience
- Emotional
- Sensory
- Technology
- Hypnotized
- Influenced by things happening at that time
- Real time
- Being n artist is a 100% thing
- Meditation
- Mental digestion
- Youth orientated
- Graffiti is an outlet for creative youth
- Ends up becoming criminal
- Rules
- Everybody can express
- Artists enjoy art
- Freedom to create
- To do everything they want
- The idea of art has always been there
- Misusing the tools
- Get into people there work
- Relationship though people through work
- Pleasure though creating artwork
- Internet
- Rate of change
- Evolution of art
- Playing with technology is like playing with an instrument
- A tool
- Art is a way to escape
- The artist creates that escape
- Motion keeps people staring
- Creating the characters and setting a stage
- Having a trouble with different types of art
- Being specific about one direction
- Past
- Making good art
- Getting recognized
- Now
- Making the work
- The business
- Business sense
- Art is business
- Very hard to discover and idea/process
- Process driven art
- Show the viewers so see the art through the artist's eyes
- Question what the artist is making but leave happy
- Putting in your time
- Working with companies
- Artists that work with brands
- Different of art and design
- Trying to categorize
- People and the artists process
- Personal investigation
- Method
- Be free in the method
- Function in a system
- Needing to reach a younger artist
Thursday, January 9, 2014
Fun Stop Motion Film Website
PEZ. I keep this website book marked and although they don't have any new videos I like to re-watch the old ones. They are fun and creative and sometimes help me think of new ideas. This one is my favorite:
Wednesday, January 8, 2014
Wednesday, December 18, 2013
Recent Artists That I Have Enjoyed
Dan Grzeca:
Reconstructed Barn Owl
Anthony Petrie:
Ghost-Town:
Bruce Myren:
Lalla Essaydi:
Bullet
Tuesday, December 17, 2013
Video Notes #2
New York Close Up Notes
- Enterprise in solitude
- Hard to do something that is not justified in anything
- Indulgent about painting
- Unique mark making
- Inspired by the city
- Doesn't realize it
- Hiding and exposing
- She doesn't seem like that confident of an artist
- Her work space seems fairly large and full of materials and art books
- Has a view of Manhattan from her window
In this piece that she did I like the soft color tones and slow fade. The sharp angles and soft circles juxtaposed on each other also make it beautiful. Most of her work seems to be in large scale and this could be because she has a large space to work with which also makes me think that if I worked in a larger room would my work be larger? I doubt it but it's and interesting concept.
Artist Chuck Close Notes To Self
- He had a monkey!
- Don't look at parameters that don't apply
- Portraits
- Inspiration is for amateurs
- Process
- Uses is disabilities
- No one gets anywhere without help
- Everyone needs to feel special
- Can get past difficulties
- Break down a huge problem
- Someone worse off than you
In the short show we were quickly able to see a painting move from an erect position to a sideways position by a machine (that I assume was holding it from party behind). He uses these types of machines to make up for his disabilities but he also uses his disabilities for inspiration for his art work. His art space was also "his" in a way that it fit him like a mold; everything had to placed in specific places and heights, because there is only so much that he can access.
Thursday, December 12, 2013
Tuesday, December 10, 2013
Video Notes
Sports Video Notes
- Conductor and quarterback
- Pace
- Tempo
- Synchronized
- Symphony orchestra
- Not about dictating
- Also about acting
- Leaders
- Work starts before game or symphony
- Brining level of excellence
- Have to know what you are going for
- Responsibly
- Function of every rule
- Controlling the present but also be able to know whats coming next
- Symbols
- Motion
- Emotion
- Result
Parallels
- Preparing for an art project
- I can relate to the sports aspect
- Fencing is a lot like both
Notes On How To Make A Joke Video
- Wasting time to waste other peoples times
- Secret
- Think of something that you think is funny
- Like song writing
- How to start the joke, make connections, and then end it
- Inappropriate and undeserving
Parallels
- Having a system of something that works for me
- I like humor but it needs to be a certain type of joke for me to laugh sometimes (Especially for people who write comedy)
Wednesday, December 4, 2013
Twyla Tharp: The Creative Habit
Quotations:
- "You need a tangible idea to get you going."
- "I call it scratching...I'm digging through everything to find something."
- 'Where do you get your ideas?' "Where do you find the air you breathe?"
- "Don't scratch for big ideas."
- "That is why you scratch for little ideas. Without the little ideas, there are no big ideas."
- "Stoping my conscious mind."
- "Reading, conversation, environment, culture, heroes, mentors, natures - all are lottery tickets for creativity."
- "Art is not about minimizing risk and delivering work that is guaranteed to please. Artists have bigger goals.
- "In creative endeavors luck is a skill."
- "Relying too much on others, even in an inevitably collaborative process, makes you lazy."
- "Another trap is the belief that everything has to be perfect before you can take the next step."
- "Time, for example, is our most limited resource, but it is not the enemy of creativity that we think it is."
- "Whom the gods wish to destroy, they give unlimited resources."
Notes:
- Scratching: looking for ideas
- How artists scratch
- Where do ideas truly come from
- Everywhere
- Forms of ideas
- Don't think about the big picture/idea
- Taking it one little step at a time: the small stuff counts
- Improvising
- Moving
- Results
- Retain
- Breaking/finding a loop-hole around bad ideas/morals, and consciences
- Getting crazy and free
- Generare, retain, inspect, and transform
- Different ways of getting ideas
- Every day conversation
- Peoples' handiwork
- Reading
- Mentors
- Heroes
- Nature
- Culture
- Combination of ideas
- Going out of the norm
- Trying not to please but to create
- Be in shape
- Scratch in the best places
- Screwing up can be good
- Never scratch in the same place twice
- Maintain the white hot pitch
- Not thinking about the product
- Natural evolution of ideas/work
- Capturing moments and emotions
- Luck is a skill
- Taking risks
- Locking yourself into a predetermined course
- Money
- Distraction but also can be a cheep sense of creativity
- Other people
- Don't strive for perfection at the start
- Time is not the enemy of creativity
- Obligation
- Flimsy base for creativity
- Total self-reliance and exquisite planning
Wednesday, August 28, 2013
Newspaper & Art Find
"Citizen K", by Nick Georgiou
Many of the newspaper art that I found seemed, to me, to be unoriginal. The way that the artists might have used the newspaper might have been cool but the "story" behind it was not deep. Georgiou had a very unique style. Although his work is a bit odd and not exactly my taste I still like the way he uses newspaper to create 3D sculptures but can also add his own twist. I liked the piece above the most because the newspaper structure is standing on its own and it looks like it was carefully done; each newspaper piece is rolled up just so.
Sunday, February 27, 2011
Art 21 Reflection #3
Contemporary Art-Loss & Desire
1# Collier Schorr
Collier Schorr was interested in photographing people acting like something they are not or the opposites of themselves. She liked the similarities and differences between things. At the beginning of the video she photographed boys wrestling. Although I don't really see the art in wrestling she like the masculinity. She liked to see the devastation and exhaustion in her photos. She also took pictures of boys acting like girls Schorr wanted to have her photos be a feminine vs. masculine theme. Her photos were somewhat like short films, the people would act to be the character that she wanted in the photo and the pictures had a small plot. A story that you could think up while looking at the picture.
2# Gabriel Orozco
Gabriel Orozco also took photos. He used everyday life and misplaced items. Orozco crafted a car to look regular on the side but then of you walked to the front of the car you realized it was narrower than usual. He wanted to show the different perspectives that the car had. He had a curiosity for things but his curiosity made his art. Orozco would take games such as ping-pong and would make it into a new game with the same rules but just change something with it. For example he to two ping-pong tables and split them in half to be and arranged them to be in the shape of a square. In the middle of the ping-pong table he put a small pond. He also made clay sculptures to photograph or took the little things in life and made them look bigger like they had more purpose.
Janine Antoni was...how do I putt this...a WEIRDO! She was also a bit self centered. Anyways she made this rope using different materials. The rope was symbolizing connections. Antoni made illusions by taking herself doing many different things such as walking on a rope that was above the water so when the rope bent it looked like she was walking on the horizon. She used herself in her art...a lot... even making her art. She painted a floor black using her own hair!
Tuesday, February 22, 2011
Art 21 Reflection #2
Modern Art
1st Video:
The first video was on a photographer, Laurie Simmons. She was a quiet person who was never really allowed to show her feelings. She learned though that she could show her feeling through her photography and movies. Simmons made some movies using hand puppets. Although the puppets didn't have any emotion on their faces she made them have emotion and made it humorous as well. Laurie Simmons also made a short play using people dressed up as random objects. The point she wanted to make was being noticed and having a chance to shine.
2nd Video:
The second video was of Lari Pittman who wanted his paintings/drawing to have a vague meaning. He wanted the viewer to be very critical and think what they wanted. Pittman wanted his painting to be very dramatic and somewhat violent. He also wanted to show a life death cycle in his work. For me his art is too vague and hard to really understand. I thought his pictures were strange and way overwhelming, there was too much going on.
3rd Video:
In the third video Judy Pfaff was talking about how she like to make her art and physical art. She like to use big, heavy duty tools to make her art, such as burning tools. She made big canvas "drawings" out of fire, paint, and metal. She like to wield metal and get her hands dirty. Pfaff made her art have emotion. She also made sculptress that were eccentric. She took this huge tree root and made a huge sculpture out of it. Her art was very interesting but I couldn't really see the point.

4th Video:
The fourth video was of Pierre Huyghe. He wanted his art to create a world for people, bring out the emotion. When he filmed he used music to set the tone and shapes. He wanted to create a myth for people. He used puppets and humor. Huyghe like to use humor because he thought it was kind of like braking the rules. To me his art was creepy but in a way kind of natural.
Thursday, February 10, 2011
Art 21 Reflection #1
The first little skit was of Eleanor Antin. She was a photographer who liked to take pictures of the past such as ancient Rome. She also like taking fun pictures of objects in different terrains. The Roman pictures were great, I thought this was a great skit because I love ancient Rome and Greek culture. She wanted people to get a feeling of what it was like in the past compared to now. Some of the other photos that Antin took were of 100 boots. She took many picture of boots 'waking' around the corner or to church. They were amusing, funny, and random pictures.
She was a also dancer and really didn't think much of it but she thought it was a funny skill to have.

The Second artist was a cartoonist who used words in his paintings to describe his pictures. He also made the scariest and creepiest things funny. Raymond Pettibon used poems, sentences from books, or his own writings. His pictures were kind of creepy most of the time so I didn't really like his work, but I did find it interesting how he would combine writing and painting. Some of the painting that I did like were of his trains. The trains had a lot of feeling to them and you could really come up with a story to go behind it.
The third painter was Elizabeth Murray. She did these wacky, humorous, out of control paintings. She had all these shapes that wouldn't naturally be see together but she some how made them connect. When she made her paintings Elizabeth would first cut out shape then she would blend in colors, even the paint out, and do some wacky things to the paintings. The shapes were meant to build contrast especially when she added bright color to them, but in the end all the shapes ended up blending together. Murray would use other peoples criticism and art work to help with making her paintings (As we do in art class). She pained because she felt free and just had fun doing it.
The fourth artist was a very peculiar artist. Walton Ford did painting and prints. He used animals in his work but he used them in a interesting way. For prints he wanted to make them look antique, just like Audibon's prints. But he made the animals (mostly birds) do weird stuff like attacking each other or doing something violent. He also puts them in odd places, It is kind of what we are doing in art class this weak. We are making a clay sculpture of an animal where you would think you woudn't usually see it .
At first when you look at the painting you think: Wow it's beautiful! Then when you look close at it you see that something is wrong or out of place. Although most of the painting are somewhat creepy they are also pretty neat at the same time.

She was a also dancer and really didn't think much of it but she thought it was a funny skill to have.

The Second artist was a cartoonist who used words in his paintings to describe his pictures. He also made the scariest and creepiest things funny. Raymond Pettibon used poems, sentences from books, or his own writings. His pictures were kind of creepy most of the time so I didn't really like his work, but I did find it interesting how he would combine writing and painting. Some of the painting that I did like were of his trains. The trains had a lot of feeling to them and you could really come up with a story to go behind it.
The third painter was Elizabeth Murray. She did these wacky, humorous, out of control paintings. She had all these shapes that wouldn't naturally be see together but she some how made them connect. When she made her paintings Elizabeth would first cut out shape then she would blend in colors, even the paint out, and do some wacky things to the paintings. The shapes were meant to build contrast especially when she added bright color to them, but in the end all the shapes ended up blending together. Murray would use other peoples criticism and art work to help with making her paintings (As we do in art class). She pained because she felt free and just had fun doing it.
The fourth artist was a very peculiar artist. Walton Ford did painting and prints. He used animals in his work but he used them in a interesting way. For prints he wanted to make them look antique, just like Audibon's prints. But he made the animals (mostly birds) do weird stuff like attacking each other or doing something violent. He also puts them in odd places, It is kind of what we are doing in art class this weak. We are making a clay sculpture of an animal where you would think you woudn't usually see it .
At first when you look at the painting you think: Wow it's beautiful! Then when you look close at it you see that something is wrong or out of place. Although most of the painting are somewhat creepy they are also pretty neat at the same time.

Friday, January 14, 2011
The Figure 5 In Gold
The Figure 5 In Gold was created by Charles Demuth, in 1628. He used oil on cardboard and was created based on the poem "The Great Figure" written by William Carlos Williams.
Anistials down at bottom: W.C.W. (Poets) It was also a modern painting with no people and abstract shapes. Also there aren't any people instead there are names.
Among the rain
and lights
I saw the figure 5
in gold
on a red
fire truck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city
and lights
I saw the figure 5
in gold
on a red
fire truck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city
Monday, January 3, 2011
Visiting artist: Hamlett Dobbins.
My favorite piece of work was the early morning paintings. His work is very original, and odd. (Odd in a good way) and the painting that I chose goes smoothly with "Morning Painting" because he uses bright colors that to me would represent morning.
A question I would like to ask his is how he comes up with his ideas. When I did get to ask Hamlet he said he gets his ideas from every day life/experiences, movies, books, food, other pieces of art, his children, and just random idea that pops into his head.
A question I would like to ask his is how he comes up with his ideas. When I did get to ask Hamlet he said he gets his ideas from every day life/experiences, movies, books, food, other pieces of art, his children, and just random idea that pops into his head.
Friday, November 12, 2010
Wednesday, October 27, 2010
Principles of Design Research
Today we looked at a painting called the "Nighthawks" by Edward Hopper. We looked at how he wanted the viewer to look at the painting and what he wanted us to think about it.
These are some of the things he wanted us to notice:
He didn't use symmetry in the painting but he used placement/grouping. He placed the people in a lighted area to show them clearly, and what he wanted them to represent. Surrounding the bar he put darkness to show it was a lonely night. This is the contrast between light and dark. The light made leading lines on the pavement out side the bar and also he made the light creeping into the buildings on the opposite side of the bar. There was implied movement in the painting to: the bar tender bending down. The painting had some proportion, more light then dark. He mostly used all of the principles of design to show what he wanted us to think of his painting.
These are some of the things he wanted us to notice:
He didn't use symmetry in the painting but he used placement/grouping. He placed the people in a lighted area to show them clearly, and what he wanted them to represent. Surrounding the bar he put darkness to show it was a lonely night. This is the contrast between light and dark. The light made leading lines on the pavement out side the bar and also he made the light creeping into the buildings on the opposite side of the bar. There was implied movement in the painting to: the bar tender bending down. The painting had some proportion, more light then dark. He mostly used all of the principles of design to show what he wanted us to think of his painting.
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